CMC Bear Rook

The Haida carvings in argillite are some of the finest presentations of totemic art. These reproductions are well made from original work in Canada, made in a natural resin composite with the heft and finish of the originals. These museum quality reproductions of the older work are available in a range of styles that can be more casually displayed so that the art can be enjoyed on an everyday basis. The reproductions are made by Boma, a Canadian company producing a range of collectibles and giftware.

Totem poles are the outstanding monumental art of the Northwest Coast Indians. The classic era of the totem poles was the latter half of the 19th century, when both iron tools for carving and the wealth needed to erect a pole were made available from trade with the European traders. Totem poles both proclaimed and showed acceptance of the position in the community of the person for whom the pole was erected. The time and expense required were large. A suitable cedar tree had to be found and brought to the site. The crests and traditions to be displayed were selected. Small poles in yellow cedar or, among the Haida, argillite, might be carved as part of the design process. A carver was appointed who then was set to carving the pole. Labor and cost of all this work was born by the extended family of the "owner" of the pole, and might take several years to complete. Finally the pole was erected in the presence of large numbers of people from local and neighboring groups, in a major ceremonial gathering in which the position of the "owner" and his right to the crests and traditions was proclaimed and accepted and, as a necessary part of power and influence in the community, the wealth of his extended family was shown by the liberality of the feasting and goods given away. Wealth was not measured so much by what material goods one held, but more by what one gave away in public ceremonies. Erection of totem poles declined abruptly around the turn of the century, but has revived in a smaller way recently, mainly as government-supported "tourist" poles. In addition, as the suppression of Indians by church and state has been lessened, and the Indians have been allowed access to better education and economic opportunity, a few poles also are being erected within the community in the traditional spirit, inspired by, and indeed testifying to, the renewed self respect of the native peoples.

Christian White was born in 1962 in Queen Charlotte City, Haida Gwaii (Queen Charlotte Islands, British Columbia) and grew up in Old Masset. He is from the Dadens Yahgulaanas Raven Clan and his Haida name is "Kilthguulans" (Voice of Gold). Carving since the age of 14, he has become well known for his work in argellite. Christian belongs to an extended family of practicing artists and cultural preservers, being taught by his father, Morris White and studying the works of his great-great grandfather, Charles Edenshaw.