Blog

Introducing Frost River

August 3, 2018

Frost River handcrafts canoe packs and luggage in Duluth, Minnesota. Their products are made without compromise, using the highest quality materials and benefiting from over 250 years of experience in the North Woods and Boundary Waters.

The Martinex Original Wax fabric used is the best waxed cotton canvas available, durable and water resistant. The Martin family has been involved in the dyeing and finishing of textiles in the United States since 1838. The leather used in the straps and reinforcements comes from SB Foot tannery in Red Wing, Minnesota. In business since 1872, this same tannery supplies the leather used today in Red Wing Boots. The solid brass hardware ensures the fittings won’t fail.

Built by hand, built to last, Frost River guarantees their luggage for life. We are pleased to offer a selection of Frost River luggage, made in the USA

Urban Field Bag

Curtis Flight Bag

Simple Brief Case

 

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Frost River

 

 

 

Arkeria Rose Armstrong, Willie Creek Painter

July 20, 2018

Our Willie Creek jewelry is based on a painting by Arkeria Rose Armstrong. Arkeria is an artist from Gamilaraay, (an area in New South Wales and Southern Queensland.) She was born in Ceduna, South Australia in 1988.

Art has always been a part of Arkeria’s life. Her middle name comes from her late grandmother Rose Fernando. Rose was a Gamilaraay Elder and one of the last sand painters in northern New South Wales and her special nickname for Arkeria was “Lilly-Rose”. She had a significant influence on Arkeria, both in her daily life and now years later in her art.

Arkeria credits her grandmother and her mother for encouraging her to develop a strong connection to culture and a strong personal identity. From the age of 7 to 18 years Arkeria travelled and lived in outback Australia with her family due to her father’s job as a gold prospector. “Having the time to learn in quiet spaces in some of Australia’s most picturesque country was a blessing”, Arkeria says of the experience.

Painting with acrylic allows Arkeria to use a range of colours which represents her country, the stories and the knowledge. Her grandfather, Don Briggs, a Yorta Yorta Elder is another person who strongly influences her. Don is also an artist and he has taken on a mentoring role with her as well as supporting her to have confidence to paint “her way”.

Arkeria currently resides in Bendigo, Victoria.

Willie Creek Necklace

Willie Creek Bracelet

Willie Creek Earrings

 

Source: Aboriginal Art Australia

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Occulture Jewelry

 

 

 

 

 

Add Some Flair to Your Wedding

June 29, 2018

Bolo Ties for Groomsmen

 

We recently made a set of five bolo ties for the groomsmen in a wedding. Bolo ties are often seen as a western accessory, but in this case, the slides featured the Immortal Strength design, which is part of our Celtic collection.

Looking closely, you can see the Triskele in the center, which symbolizes not only the Trinity, but also the mind, body and spirit. Surrounding the Triskele are four knotted symbols. In many ancient philosophies, the number four represents the physical world. Three and four combined is often the unification of spirit and matter. It is through this unity that strength emerges. What a marvelous symbol for a wedding!

 

Immortal Strength Bolo Slide

 

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Bolo Slides

Celtic Art and Lore

 

 

Coach Whips

June 21, 2018

Working at David Morgan is really fun when we can put people together to solve problems and preserve history. My father’s work in the field of whips did not just involve braiding the Indian Jones whips and other leather goods. It also included writing several books, including Whips and Whipmaking. Because of that, I occasionally field general whip queries.

A few weeks ago I took a call from a Mr. Patt Patterson of Missouri who was writing a book on stage coach whips. He asked me if I knew anything about them. I told him I had no information other than what was in my father’s books, but that I would check the list of whips that David had made. I checked and found Dad had a couple of stage coach whips in his collection, so I said I’d clean them up for him and send him photographs.

A few days later I took a call from Jimmy Wilson in Texas. He was looking for someone to clean up and put new falls on his wife’s whips. His wife was a wild west arts performer in the fifties and sixties. Jimmy also mentioned that he ran a business building stagecoaches. See his website here.

I introduced them by email and Patt is now busy fixing up the whips and having a new friend in the world of stage coaches.

After receiving the performer whips, Patt mentioned that some of the whips were made by the J.M. Bucheimer Co. I found a Bucheimer catalog or three in David’s files from the mid-sixties when they were in Frederick, Maryland. Along with the catalogs was correspondence that said David was interested in buying the Drovers and Performers whips. He then bought a couple, and later responded that they were advertised as 12 plait but arrived as 10 plait. Later Bucheimer catalogs described the whips as 10 plait. In 1967 the performer whips cost $10.60 to $31.00 depending on their length with extra long lengths available on special request.

The stage coach whips in David’s collection were labeled and measured as follows:

No. 94: Stagecoach Whip, Bert Hill, 1960s. He had made coach whips for Cobb & Co. See the Wikipedia entry.

11′ thong 6 plait dropped to 4. 12 plait covered handle is about 54″.

 

 

Coach Whip Tags

 

No. 95: Stagecoach Whip Bert Hill, 1960s. 9′ thong 6 plait dropped to 4. 12 plait covered handle is about 53″.

No. 98: Useless Thong by DWM on a Lungewhip handle by Millowick. Thong lacks weight in the belly. Handle is a bit under 50 inches.

 

Coach Whip with Useless Thong

 

It appears David had made an attempt at copying the stagecoach whip thong and failed. Thankfully David kept on trying his hand and made hundreds of functional whips–albeit not for stagecoaches.

Our best wishes to Patt and Jimmy’s respective and collective endeavors!

Will Morgan

 

Some additional photos:

Coach Whip Handle Detail

 

Coach Whips

 

Coach Whip with a Cracker

 

Coiled Coach Whips

 

Bucheimer Catalog

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Whips

 

 

Artist Profiles: Alma Nungarrayi Granites

June 8, 2018

Our Star Dreaming jewelry is based on the artwork by Alma Nungarrayi Granites, whose skin name is Nungarrayi. There are many paintings on star dreaming because this is important for the Nungarrayi skin group.

Alma learned the dreaming from her father, Paddy Japaljarri Sims, who taught her all of the songs and ceremony for “Seven Sisters Dreaming” and “Milky Way Dreaming.” She started painting in 1987 and an active member of  the Warlukurlangu Artists Aboriginal Corporation. Her work was featured in many national and international exhibitions.

Star Dreaming Pendant

 

The painting that is the basis for the Star Dreaming jewelry tells of the journey of Japaljarri and Jungarrayi men who traveled from Kurlurngalinypa to Lake Mackay on the West Australian border. The seven stars represent the seven ancestral Napaljarri sisters. We call them the Pleides star cluster.

Along the way they performed ‘kurdiji’ (initiation ceremonies) for young men. Napaljarri and Nungarrayi women also danced for the ‘kurdiji’. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements.
During the performance of this ceremony the men wear ‘jinjirla’ (white feather headdresses) on either side of their heads. They also wear wooden carvings of stars which are also laid out on the ground as part of the sand paintings produced for business. ‘Ngalyipi’ (snake vine), is often depicted as long curved lines and is used to tie ‘witi’ (ceremonial spears) vertically to the shins of the dancing initiates. These ‘witi’ are typically shown as long, straight lines and the ‘yanjirlpirri’ (stars) are usually depicted as white circles or roundels.

Alma passed away in 2017, the mother of four with many grandchildren.

 

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Star Dreaming Pendant

Occulture

 

 

 

What is the Dreamtime?

May 18, 2018

We can generally say that The Dreamtime is a creation story of the Australian Aborigines. There are over 400 Aboriginal groups in Australia, each with their own beliefs, languages and practices, so one comprehensive description of the Dreamtime is impossible. The Aborigines believe that in the beginning, the land they occupied did not exist. The Aboriginals’ ancestors created the world during The Dreamtime, which is outside of our concept of time. And since it is outside of time, it is always happening and will always happen. The Ancestors vary depending on the Aboriginal tribe. Some believe the Ancestors were animal spirits while others think of them as snakes.

The Dreamtime describes how humans were created and lays down the laws, called Jukurrpa, for people to follow. These laws included how people were to behave to one another, the customs of food supply and distribution, the rituals of initiation, the ceremonies of death which are required to be performed so that the spirit of the dead travels peacefully to his or her spirit-place, and the laws of marriage.

Part of the tradition says that Ancestral Beings created powerful locations that become part of the landscape and that these reflect the power and knowledge of those Ancestors in the locations. Those locations are linked to ceremonies and performances which are tied to family groups. All of that information and knowledge becomes part of an artist’s painting when they’re making reference to their traditional country.

Like many ancient cultures, there is little distinction in Aboriginal culture between the material and the spiritual world. We in the West look at land as utilitarian, while Aboriginal cultures, like many archaic cultures, looks at land as wedded to the spiritual world. There are special places where spirits reside. Every action a human makes has repercussions both in the spiritual and material world, so it is in each person’s best interest to follow the laws and cultural knowledge expressed in The Dreamtime. Expressions of The Dreamtime can take on many forms, either through dance, orally spoken stories, music and visual arts. The traditions and ideas of The Dreamtime extend back over 10,000 years and more.

A newer chapter in The Dreamtime expression is the desert painting art movement that began in 1971 in Papunya, a town in the Western Desert about 150 miles from Alice Springs. A school art teacher, Geoffrey Bardon, undertook the painting of a school wall by his students. The older men soon took an interest and were encouraged to take over. The resulting mural became known as Honey Ant Dreaming, a traditional design. This sparked a great interest in painting and in 1972, the artists established their own company, Papunya, entirely owned and directed by Aboriginal people — mainly the Luritja/Pintupi language groups. Global recognition of these extraordinary painters soon followed.

Within a few years many aboriginal artists were painting large abstract canvases with traditional and modern designs, often conveying stories and beliefs from The Dreamtime. The designs often incorporated dots, which hearken back to the sand paintings constructed on the earth around which dancers and singers would perform ceremonies. The traditional sand paintings would be composed of circles, each constructed by hand, of a papier-mache like mixture of pulverized plant and animal material with natural pigments. Today there are several art centers scattered around the Western Desert hosting hundreds of artists. Modern acrylics are often used and give the paintings a more colorful, free-flowing nature. Yet the essence of The Dreamtime is still a focus, and painting has become an important technique for teaching children the knowledge and beliefs of their ancestors.

We invite you to explore a few Dreamtime stories through the Occulture jewelry we offer. Created by designer Lisa Engeman, Occulture is a collaboration with Australian indigenous artisans transferring ancient stories and knowledge into contemporary statement jewelry that celebrates and strengthens the songline of culture, knowledge, artists and community. The photoanodized aluminum jewelry with sterling silver fittings is handcrafted in Australia using cutting edge technology. All artwork featured in the Occulture jewelry is licensed and royalties are paid directly to the individual artist.

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Occulture

 

 

April 20, 2018

Indiana Jones Whips

 

“Many have tried, all have failed.”

A month has passed since you dropped the gold coins into the wizened hands of the blind bookseller, but you still see his bone-white cataracts stare directly at you. Your broken Arabic understood every word. When you left his musty stall, deep in the labyrinth of that grand bazaar, Cairo’s Khan el-Khalili, you stowed the tome securely in your leather satchel. There was wisdom in his words. The French, the Germans and even a rogue element of Her Majesty’s Army all would kill for it. They almost poisoned you on the train to Aswan, but you know the smell of arsenic, even when disguised by the smell of Turkish Coffee.

Even now, alone in the desert, you pat your satchel to make sure the book is still secure. The Diary of the Mad Arab. You’ll need the answers to the puzzles that lay ahead.

A dust devil stirs the sands at your feet. You wipe your face, and reach for your canteen.

“Empty,” you mutter. You sucked the last drop this morning and the horizon shows no sign of an oasis. The chances of making it to one are slim. But you know that somewhere, just under your feet, hides the treasure written about in the Mad Arab’s book. The rock outcropping, the one described in the book juts through the sand. The face of Anubis, the jackal-headed god, still looks towards the west. The land of the setting sun. The land of the dead, according to the ancient Egyptians. Though eroded over the millennia by wind, his features are still eerily visible. A god refusing to pass from this world.

You mark the distance from the outcropping… one, two, three paces. Already fatigued from the journey, you pull out your field shovel and dig. The hot air shimmers over the sand as an occasional gust blows it into your face. Undeterred, you press on. Fickle sand falls back into the hole you dig, but for every shovel of sand that goes back in, you scoop out two.

A hard clank rings out in the quiet, desert air. Suddenly you are invigorated, as if you’ve just spent a night at Shepheard’s in Cairo. You dig faster until the shovel reveals a stone. Falling to your knees, you wipe away the sand and grin. There, painted on the stone is the cartouche you’ve seen in the Mad Arab’s book: Mnem-pa-tep. You have found the tomb of the forgotten Pharaoh.

You grasp the sharp edges and pull away the heavy stone. Cool air, wet and musty, fills your dried lungs. It takes three tries for your bloodied, shaking fingers to strike a match, but you light the lantern and lower it into the darkness. There’s about a twelve foot drop to the floor below.

You unpack your rope, fastening it securely to the stone. As you slide your way down, you remember the bookseller’s words: “Many have tried, all have failed.”

You take his warning to heart. Danger lurks ahead. It’s a good thing that your trusty whip hangs at your side.

 

 

BC Hats, the Original Australian Leather Hat

March 16, 2018

For over 18 years, David Morgan has proudly sold BC Hats. Bill’s Stockman leather hat was the first of its kind in Australia and he perfected a way to add a wire to the brim allowing the hat to become “shapeable”. Today his original design and construction method is world renowned and the quality of a B.C Leather hat is still unsurpassed.

Unlike fur felts, leather hats can be rolled up and stowed in bags and backpacks. Any scratches or marks on the leather are not to be considered flaws. They occur naturally and are merely proof of its authenticity. The more wear you see on the leather, the more it becomes “your hat” as it develops its own individual shape and character. The brim also has a wire for you to shape it as you want.

To care for a leather BC Hat, the company recommends that you periodically treat it with leather dressing or saddle soap. Our Pecard Leather Dressing is outstanding for this. Also, avoid extreme heat such as a campfire or inside a car. This can shrink the hat. As much as you might want to dry that hat out after a days hike in the rain, keep it away from the fire! If you wish, you can apply a waterproof spray.

Suede Stockman Hat

Cool As A Breeze

Bac Pac Traveller

 

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BC Hats

Pecard Leather Dressing

 

 

Duluth Pack Items on Sale

March 2, 2018

We no longer carry Duluth Pack, but we still have a couple of items on sale for an incredible price.

Market Tote

Market Tote

 

The Market Tote, which normally sells for $155 is on sale for $107. This tote is the ultimate shopping companion and will carry everything you need throughout the day. The tote has four snaps on all sides to secure the bag if desired.

Safari Duffel

Safari Duffel

 

The Safari was $245 but now sells for $174. It is a rugged and functional duffel that is made with a double reinforced flat bottom and web reinforcement.

Also be sure to check out our other sale items.