Add Some Flair to Your Wedding

June 29, 2018

Bolo Ties for Groomsmen

 

We recently made a set of five bolo ties for the groomsmen in a wedding. Bolo ties are often seen as a western accessory, but in this case, the slides featured the Immortal Strength design, which is part of our Celtic collection.

Looking closely, you can see the Triskele in the center, which symbolizes not only the Trinity, but also the mind, body and spirit. Surrounding the Triskele are four knotted symbols. In many ancient philosophies, the number four represents the physical world. Three and four combined is often the unification of spirit and matter. It is through this unity that strength emerges. What a marvelous symbol for a wedding!

 

Immortal Strength Bolo Slide

 

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Bolo Slides

Celtic Art and Lore

 

 

Coach Whips

June 21, 2018

Working at David Morgan is really fun when we can put people together to solve problems and preserve history. My father’s work in the field of whips did not just involve braiding the Indian Jones whips and other leather goods. It also included writing several books, including Whips and Whipmaking. Because of that, I occasionally field general whip queries.

A few weeks ago I took a call from a Mr. Patt Patterson of Missouri who was writing a book on stage coach whips. He asked me if I knew anything about them. I told him I had no information other than what was in my father’s books, but that I would check the list of whips that David had made. I checked and found Dad had a couple of stage coach whips in his collection, so I said I’d clean them up for him and send him photographs.

A few days later I took a call from Jimmy Wilson in Texas. He was looking for someone to clean up and put new falls on his wife’s whips. His wife was a wild west arts performer in the fifties and sixties. Jimmy also mentioned that he ran a business building stagecoaches. See his website here.

I introduced them by email and Patt is now busy fixing up the whips and having a new friend in the world of stage coaches.

After receiving the performer whips, Patt mentioned that some of the whips were made by the J.M. Bucheimer Co. I found a Bucheimer catalog or three in David’s files from the mid-sixties when they were in Frederick, Maryland. Along with the catalogs was correspondence that said David was interested in buying the Drovers and Performers whips. He then bought a couple, and later responded that they were advertised as 12 plait but arrived as 10 plait. Later Bucheimer catalogs described the whips as 10 plait. In 1967 the performer whips cost $10.60 to $31.00 depending on their length with extra long lengths available on special request.

The stage coach whips in David’s collection were labeled and measured as follows:

No. 94: Stagecoach Whip, Bert Hill, 1960s. He had made coach whips for Cobb & Co. See the Wikipedia entry.

11′ thong 6 plait dropped to 4. 12 plait covered handle is about 54″.

 

 

Coach Whip Tags

 

No. 95: Stagecoach Whip Bert Hill, 1960s. 9′ thong 6 plait dropped to 4. 12 plait covered handle is about 53″.

No. 98: Useless Thong by DWM on a Lungewhip handle by Millowick. Thong lacks weight in the belly. Handle is a bit under 50 inches.

 

Coach Whip with Useless Thong

 

It appears David had made an attempt at copying the stagecoach whip thong and failed. Thankfully David kept on trying his hand and made hundreds of functional whips–albeit not for stagecoaches.

Our best wishes to Patt and Jimmy’s respective and collective endeavors!

Will Morgan

 

Some additional photos:

Coach Whip Handle Detail

 

Coach Whips

 

Coach Whip with a Cracker

 

Coiled Coach Whips

 

Bucheimer Catalog

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Whips

 

 

Artist Profiles: Alma Nungarrayi Granites

June 8, 2018

Our Star Dreaming jewelry is based on the artwork by Alma Nungarrayi Granites, whose skin name is Nungarrayi. There are many paintings on star dreaming because this is important for the Nungarrayi skin group.

Alma learned the dreaming from her father, Paddy Japaljarri Sims, who taught her all of the songs and ceremony for “Seven Sisters Dreaming” and “Milky Way Dreaming.” She started painting in 1987 and an active member of  the Warlukurlangu Artists Aboriginal Corporation. Her work was featured in many national and international exhibitions.

Star Dreaming Pendant

 

The painting that is the basis for the Star Dreaming jewelry tells of the journey of Japaljarri and Jungarrayi men who traveled from Kurlurngalinypa to Lake Mackay on the West Australian border. The seven stars represent the seven ancestral Napaljarri sisters. We call them the Pleides star cluster.

Along the way they performed ‘kurdiji’ (initiation ceremonies) for young men. Napaljarri and Nungarrayi women also danced for the ‘kurdiji’. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements.
During the performance of this ceremony the men wear ‘jinjirla’ (white feather headdresses) on either side of their heads. They also wear wooden carvings of stars which are also laid out on the ground as part of the sand paintings produced for business. ‘Ngalyipi’ (snake vine), is often depicted as long curved lines and is used to tie ‘witi’ (ceremonial spears) vertically to the shins of the dancing initiates. These ‘witi’ are typically shown as long, straight lines and the ‘yanjirlpirri’ (stars) are usually depicted as white circles or roundels.

Alma passed away in 2017, the mother of four with many grandchildren.

 

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Star Dreaming Pendant

Occulture